    
   
 .,  .   ,  , IX (2/96), 521 -559. 
*     Reading Rembrandt": Beyond the 
Word-Image Opposition (Cambridge and New York, 1991)  Death and 
Dissymmetry: The Politics of Coherence in the Book of Judges (Chicago, 
1988). Department of Art and Art History, University of Rochester, 
Rochester, N.Y. 14627  Instituut voor Algemene Literatuurwetenschap, 
Spuistraat 210, 1012VT Amsterdam, The Netherlands. 
     ( ) Looking at 
the Overlooked: Four Essays on Still Life Painting (Cambridge, Mass., 
1990);    Calligram: Essays in New Art 
History from France (Cambridge, 1988). Department of Fine Arts Harvard 
University, Cambridge, Mass. 02138. 
   : Mieke Bal and Norman Bryson. 
Semiotics and Art History.  The Art Bulletin, 1991, June. P. 174208. 
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